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Taking Notes or Hungry?

There are two kinds of people who walk into a cheesesteak restaurant: people who are hungry, and people who are taking notes. This post is about what happens when the second kind — the food critics — try to write cheesesteak reviews, and why the sandwich almost always wins.

You can spot a critic immediately. They’re the ones photographing the menu board like it’s a crime scene, asking the guy at the flat-top whether the ribeye is “shaved in-house,” and holding the sandwich up to the light like a jeweler appraising a diamond that happens to be leaking Cheez Whiz onto their shoes.

Why Cheesesteak Reviews Are So Hard to Write

Here’s the fundamental problem: the cheesesteak is critic-proof.

You can review a tasting menu. A tasting menu is asking to be reviewed. It arrives in fourteen acts, each one introduced by a server who says the word “essence” without blushing. There’s foam. There’s a smear. There’s a single nasturtium leaf placed with tweezers by a man named Jorgen.

A Philly cheesesteak, on the other hand, arrives in wax paper. It has no acts. It has no essence — or rather, it is all essence: beef, onions, cheese, bread, done. It was designed to be eaten standing up, slightly hunched, in the stance dietitians call “the Philadelphia lean” and chiropractors call “job security.”

What is a critic supposed to say about this? “The Whiz displayed impressive viscosity”? “The roll offered notes of… roll”? The cheesesteak doesn’t want your adjectives. The cheesesteak wants you to stop talking, because there’s a line behind you, and the man at the register has asked “whataya want” twice already, and he is not going to ask a third time.

How Food Critics Blow Their Cover at the Counter

Every food critic dreams of dining anonymously. At a cheesesteak counter, anonymity dies at the moment of ordering.

The regulars order in four syllables or fewer: “Whiz wit.” Done. Poetry. Hemingway would weep.

The critic orders like this: “Hi, yes, so I’m curious — is the provolone sharp or mild? And when you say ‘wit,’ the onions are caramelized or more of a soft sauté? Could I possibly get half Whiz, half American, for comparison purposes?”

By the second question, everyone in the building knows. The cook knows. The line knows. The framed photo of a local news anchor from 1987 knows. You might as well be wearing a sandwich board that says I WRITE FOR A LIVING AND MY EDITOR NEEDS 900 WORDS BY FRIDAY.

What Good Cheesesteak Reviews Actually Get Right

Now, before the critics of the world unsubscribe from this blog: they’re not wrong about everything.

A good critic can tell you why one steak shop’s ribeye tastes like beef and another’s tastes like regret. They’ll notice that the best cheesesteak restaurants grip their rolls from bakeries that have been up since 3 a.m., while the sad places serve bread with the structural integrity of a wet library card. They’ll defend the honor of Whiz against people who call it “processed” — as if that word means anything to a sauce that has brought more joy to humanity than most philosophy departments.

The Golden Rule of Judging a Cheesesteak

The best critics understand one thing: judge the sandwich by what it’s trying to be. A cheesesteak is not trying to be transcendent. It’s trying to be a hot, greasy, perfect ten minutes of your life. Reviewing it against a Michelin standard is like criticizing a golden retriever for its lack of professional ambition.

Why the Best Cheesesteak Shops Ignore the Critics

The cheesesteak shops, for their part, have developed a sophisticated defense system against criticism. It’s called not caring.

You cannot wound a place that has a laminated menu, a cash-only sign, and a forty-year line out the door. Give them two stars — the line stays. Write that the ambiance is “fluorescent and vaguely hostile” — they’ll frame the review and hang it next to the news anchor. One shop owner, upon reading that his cheese “lacked nuance,” reportedly said, “Good,” and went back to the grill.

This is the beautiful standoff at the heart of every cheesesteak review. The critic needs the cheesesteak — it’s content, it’s tradition, it’s a guaranteed argument in the comments section. The cheesesteak does not need the critic. It predates them and it will outlast them, quietly dripping onto the pavement of history.

How to Review a Cheesesteak Like a Local

So the next time you see someone at a steak counter dictating voice memos about “allium distribution,” be kind. They’re doing their best in a place that was never meant to be described, only devoured. And if you’re the critic? Here’s the only review format the sandwich respects:

  • Atmosphere: Loud.
  • Service: Fast, if you are.
  • The cheesesteak: Gone.
  • Would return: Already in line.

Five stars. Wit onions. No further questions.